In traditional animation

Traditional inbetweening involves the use of ablaze tables to draw a set of pencil-on-paper pictures.

In the inbetweening workflow of acceptable hand-drawn animation, the chief or key artisan would draw the keyframes which ascertain the movement, then, afterwards testing and approval of the asperous animation, would duke over the arena to his or her assistant. The abettor does the clean-up and the all-important inbetweens, or, in ample studios, alone some breakdowns which ascertain the movement in added detail, again handing down the arena to his assistant, the inbetweener who does the re